Stripped by a Cowgirl: Lesbian First Time Erotica

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The wet and wild tape begins with the two blondes getting into a bath in their full uniforms before one showers the other down. And then, for women who might not be "out," shame about their sexual orientation or a fear of being outted significantly hinders their ability to report. If you're closeted—or even semi-closeted—formally coming forward with sexual assault allegations could mean compromising your professional or familial relationships by revealing your orientation. (The guarantee of keeping your job as an LGBTQ American currently varies per state.) The downward economic spiral of losing one's job to report a same-sex rape that won't even be deemed legitimate is simply not worth it—literally.

One hitches up the other's skirt to reveal a pair of sexy suspenders, then rubs soaps ALL over her body. This assault happened Saturday in a Central Fresno field. The video was posted just a short time later. It has since been removed from Facebook and is now in the hands of investigators. It's been four years since Alaina was raped and she still has no plans to pursue formal charges against her rapist. She says, unflinchingly, that she has moved on in other ways: She's chosen to change her name, and has moved to a new city where she has pursued a successful freelance writing career, often writing about sexual assault within the LGBTQ community.

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A British Airways spokesman said: “We’re aware of the video. Investigations continue to establish their identity.” Most Read One onlooker said: “She seemed very ­intimidated.” The man later persuaded the woman to remove his shorts before he ended up naked as the DJ cried “off, off, off” while Donna Summer’s Hot Stuff blared from the speakers. Besides being a genuinely considerate movie with some thoughtful meditations on religion and culture, it has the added thrill of having super erotic sex scenes, made possible because: Survivors are trapped in a cycle that delegitimizes their experience: first by downplaying the likelihood that it could happen at all, then by not validating it once it happens, and finally by not analyzing the data—and therefore creating awareness—after it does.

Ever since Director Sebastián Lelio's Disobedience premiered at TIFF in 2017, it's been the talk of the town among the five queer women who care about this kind of stuff. The film tells story of Orthodox Jewish lesbians in London: Esti (Rachel McAdams) caught in a loveless relationship with a Rabbi, and Ronit (Rachel Weisz) trapped in a series of meaningless heterosexual hookups. Okay, maybe a spit-take feels warranted: an adult entertainment online depot and a cinephile hub, really!? The overlap likely says something worth teasing out about the Venn diagram meeting of the two, but it doesn’t take long into the movie to see how “Shakedown” can comfortably occupy either space. A British bouncer who has worked Magaluf’s bars and clubs for three years tonight told us: “I will not allow my own two daughters ever to go there.” When female victims of female assaults do pursue legal action, gender bias can severely hinder their ability to accurately report sexual violence. "Oftentimes, women in abusive same-sex relationships tell us that even when they do call the police, they are treated dismissively," recounts Kauffman. "'Women aren't violent.' 'This is just a girl fight, this is a waste of our time,' is a common attitude." According to the 2015 report by the National Coalition of Anti-Violence Programs, of LGBTQ individuals in Ohio who did report intimate partner violence, 21 percent experienced "indifferent" reactions from police. Another 28 percent experienced hostility.This seems like it shouldn't be a victory. And yet, the list of movies who've accomplished the same feat is painfully abbreviated. Don't talk to me about Blue is the Warmest Color, a movie made famous for its extended, impractical sex scenes and allegations of harassment by its director, Abdellatif Kechiche. Kechiche reportedly bullied the two female protagonists as well as his staff, forcing them to work 16-hour workdays under extreme pressure. Critics further accused the director of creating "voyeuristic" sex scenes intended to solicit the male gaze. The worst thing I’ve seen is a girl sitting on a sink plunger while performing oral sex on the DJ. Then there are gangs of Eastern European men looking for drunk British girls. There is a constant risk of assault and rape. Sarah left their home that night and sat crying in her car. As a child, she had been repeatedly sexually abused by an uncle —this assault felt just as violating. But she still wasn't sure if she would call it rape. "Because we were together, I thought that she had the right to have sex with me the way she wanted," Sarah explains. As a queer woman myself, I was mostly concerned that the two female characters ate a whole plate of spaghetti without brushing their teeth before commencing intercourse. More information is needed at all levels—government, collegiate, and otherwise. All the experts we spoke to point to an overall dearth of research on intimate partner violence in queer female communities as the biggest obstacle in developing more accessible resources for survivors.

The eight-minute video, entitled Sexy Two Air Hostesses in Uniform has no words just music, but has been viewed more than 115,000 times on YouTube. These gender norms can directly contribute to distrust of a victim's claims, says Lisa Langenderfer-Magruder, co-author of a recent study of LGBTQ intimate partner violencein Colorado. "When someone is confronted with a situation that doesn't quite fit that major narrative, they may question its validity," she says. All of this amounts to a culture in which most research on partner violence focuses on heterosexual relationships. "So, in some ways, we're playing catch up."The star of the show then proceeds to strip to her underwear, sliding off her skirt and blouse with a little help from her female accomplice. Here the “hood” is celebrated. Which doesn’t mean its patrons aren’t taken to task occasionally. In one scene, all swagger and sweetness, Ronnie-Ron lectures a panhandler on managing his finances. In another, she chastises her patrons: “The one thing you can say about Hispanics … they all get along.” Whether that’s unequivocally true is another matter. Her point: Act right, you all. During a set, Egypt schools the room about Shakedown etiquette, “If you straight, you don’t need to be in the front.” Performance is at the heart of “Shakedown,” one of the reasons it’s rich fodder for brainy considerations of LGBTQ identity and gender. Miss Mahogany talks about the importance of establishing a fantasy from the jump, from before the clothes come off. A later interview finds dancer Egypt and her girlfriend at home. “Egypt is a fantasy,” says the Shakedown star of her hardcore-dance, feminine persona, repeating the line for effect. Lounging next to her on the couch, her girlfriend talks about going from “psycho fan” to romantic partner. What she once craved, well, she tells the director, “I can’t wait till she get home, take the makeup off, put on regular clothes. She Aisha again.” Footage of crowded nights is often rough-hewn, the lighting a mix of dim and dimmer with slices of stage beams or the arc of a spotlight.